Tuesday, March 26, 2013

Washington DC - City of Hope

I spent the past several days in Washington, DC - more than twenty year since my last visit. I was there to visit with family, and had hoped to see the beginning of the cherry blossoms bloom, but the weather was not very cooperative. For two days I walked around the city center, the 'downtown' area, and I was struck by the dissimilarity to New York. Our nation's capitol city has a diverse population, but each group, culturally and economically, stays pretty much in their own neighborhood. In New York the diverse population is squeezed together so tightly that neighborhoods change every few blocks, so that on the main thoroughfares there is a total mix of people in almost every geographical part of the city.

I spent some time at a few museums, some familiar and some new. The Phillips Collection in the beautiful DuPont Circle neighborhood is one of my all-time favorites because of the display of a number of large paintings by Pierre Bonnard, currently my favorite artist. And I visited a new institution called the Newseum, an institution dedicated to journalism, which is in the Capitol area. Most impressive was the gallery of all the photographs that have won the Pulitzer prize since the end of World War II. Most of them were individually moving, but seen as a group the experience is profoundly overwhelming. As I walked around the exhibit I couldn't help noticing the expressions on most of the faces. There wasn't a dry eye in the whole exhibit. Also on display at the Newseum, and as moving as the Pulitzer exhibit,  is a memorial wall of photographs of journalists who have died in the line of duty. Some, as it turned out, I had met and knew personally.

In the Capitol area, where most of the government administration buildings are,  there were very few people out and about, almost all were tourists. I walked past a complex that housed all, except for the US Supreme Court, all the judicial halls and offices. That particular cluster of buildings was a magnet for clusters of homeless and/or unemployed people, which surprised me because there are no social services offices in the area. But because of the underground offices, the sidewalks around the buildings are much warmer than most other neighborhoods. The contrast is striking to see these people in clusters, on otherwise empty streets, huddled in the corners and doorways of the halls of power and justice.



Thursday, March 21, 2013

Spring Is In the Air

Yesterday was the first official day of Spring - the equinox is the day of March and September during which the plane of the Earth's equator lines up precisely with the center of the Sun. With a little help from Daylight Savings Time the days seem a little longer (except if you have to get up at 5am), and even though the air is still nippy with a winter chill, everyone's attitude is just a little warmer. I look forward to many days of roaming the city streets before the intensity of summer heat and humidity make New York feel like a blast furnace.

I spent a few hours yesterday roaming the midtown area near Rockafeller Center with a friend, and although I rarely get much quality shooting done when I'm with someone, I was able to capture a few quality frames.






Tuesday, March 19, 2013

NOT the South Bronx

In the previous blog entry I posted images of characters I chatted with on 149th Street in the South Bronx. Very different than the usual characters I photograph in midtown Manhattan. On that same day, as I worked my way back to Penn Station, I walked down Fifth Avenue and shot these characters, in sharp contrast to the folks in the Bronx. The heterogeneous diversity of people in New York makes the city a great studio for street photography.




Monday, March 18, 2013

The South Bronx

In 1981 a movie starring Paul Newman entitled Fort Apache, The Bronx portrayed an area of the Manhattan borough, now called the South Bronx, as a corrupt and crime infested neighborhood. The movie created quite a stir at the time, and the area's residents protested about the stereotype it portrayed. I visited the Bronx Documentary Center a few times over the past several weeks to view photojournalism exhibits, and had the opportunity to walk across 149th Street and do some street work. This neighborhood is a far cry from the Manhattan and Brooklyn neighborhoods I've walked in over the past couple of years. It certainly has its share of characters, but I had to be a bit more cautious than usual. No tourists, no fine ladies in mink, no gents in shearling coats shopping at Bergdorf or the Apple Store. Just the local residents recovering from a hard night or getting set up for the day to come, out to pick up daily supplies at the corner bodega - just life ....






Friday, March 15, 2013

Street Talk on Nik Radio

Scott Sheppard of Nik Radio featured an interview with me on a recent podcast. It's available through the iTunes store, and (I think) on Google+, but I'm not sure how to access it there. In the interview I talked about the Nik software plugins, the Fuji X-Pro 1 camera system, and the genre of street photography. I was honored to be considered for the interview.

As the weather has been getting more agreeable I've been inspired to get out more. In the interview I discussed two different approaches I take to shooting on the street - being anonymous and capturing a slice of life of which I'm just an observer, and being an agent of the unfolding scene in which the  subject responds or reacts to my presence. In these images my presence was duly noted, the three responses are different and unique, and there's an nonverbal story in each image. I leave it to you to make up your own.








Tuesday, March 12, 2013

A Bit of Street and Fujinon Lenses

No big surprises for my blog readers today: my pics are all street photos, shot with either the Fujinon 14mm or 18-55mm zoom lens. I've been mixing my approach to shooting street. For a very long time I tried to stay as anonymous as possible, not to insert myself into the situation to alter the moment or situation. But I'm a shmoozer by nature. I take shots of people because I enjoy capturing their expressions, gestures, attitudes, and feelings. When I nail a shot I get buzzed, it makes my day. When I interact with people to evoke expressions I feel the joy of connectedness - I can click away without hiding that I'm shooting, so I can work angles and light.

I saw this gentleman on 34th street, sitting on a fire stand just below a light and next to the window display, I chatted with him as I moved around to get the light just above him. Got pretty close, but not exact (14mm lens).


I really enjoy taking shots of men with mustaches/beards and with cigars. This gentleman gave me a five minute dissertation on how good the stogie was (14mm lens).



Another beard shot (but no cigar). He actually thanked me for taking his photo and asked to have a copy emailed (zoom lens at 55mm).



What's a blog post about shooting street if there's not a sneak shot? Just goes to show ya, even pretty girls get stuff stuck in their teeth (14mm lens).



Sunday, March 10, 2013

Scenic Saturday

Walking through the neighborhoods of SoHo and Chelsea on Saturday I had a chance to interact with quite a few people. The weather was fine - a nice taste of Spring in the air - and most people were happy to be out in the crisp 50ºF temps.

One of the exceptions was this gentleman who responded to my greeting with a sneer:



Spring and Prince Streets in SoHo were lined with peddlers and artists. This guy couldn't figure out why I looked so strange to him:



One of my favorite corners to visit is on 13th street just above the lower end of the High Line. There's a gritty biker bar there - The Hog and Heifer - that always has interesting characters ready to engage in interesting badinage: